There Be Dragons Here

In the winter, around the solstice, we would rejoice in my mother’s front garden, as the dragons would emerge from their spiky nests. For that is what we called the giant, arching flower spikes of the agave atenuata plants that populate the frontage of the property. They became famous. Really! Buses of tourists actually stop for pictures when the dragons are in bloom.

Base image for Agave Solstice
Base image for Agave Solstice

Something I find most fascinating about the agave is that the flowers don’t produce seeds per se. Each blossom in the giant cluster turns into a baby plant, a pup.  And sometimes, a few of the pups still attached to the base of the cluster, in a premature exuberance of growth hormones, will sprout their own blossoms, creating a brood of mini-dragon.

©Susan Shalbe
©Susan Shalbe

Upon blooming, the agave plant has fulfilled it’s mission and produced hundreds of pups that may or may not take root. It’s a numbers game. The plant will whither and die, only to rise again in the form of new growth that will continue the cycle some ten to fifteen years hence. Unfortunately, the small blooming minis suffer the same fate as the mother plant.

The base image for Agave Solstice is from a less explosive stage in the life of the plant.

Agave Solstice
Agave Solstice

It’s done when I say it’s done.

Over the past several months, I have been sharing animations of my work that take you through the process of constructing a piece as I build it up layer by layer. Today I am sharing a different aspect of the creative process. When is a piece done? It is easy to overwork in the quest for that moment when the artwork is finished. Working on the computer, I have the luxury (or is it a curse?) of being able to endlessly edit. I also have the ability to save stages of a piece. The animation I am presenting here goes through many stages in the creation of “Perito Moreno Glacier,” searching for that moment when it is done.

Perito Moreno Glacier_animation from Karen Hochman Brown on Vimeo.

The Perito Moreno Glacier in southern Patagonia was one of the highlights of our trip to Argentina. My husband and I take the standard package deal for most of our travels. No jeeps or helicopters, we do the pedestrian version of the tour. At Perito Moreno, that means a multi-storied catwalk that comes very close to the face of the glacier. Your base of operations is a vast tourist center/cafeteria atop an overlook to the giant glacier. And you walk down a metal path that keeps the hoards from trampling the earth and still get up close to the face.

perito-moreno-triptych
Bits and pieces from the artwork. Some used, some not.

The view is from a high vantage point. The jagged structure of the glacier surface is startling in its severity. I knew I must take many pictures of the amazing blues and patterns to use in a kaleidoscope. As I began to work on the piece, I was continually stymied. My work has been mainly of organic material. The form of giant ice structures and watery blues seem unfamiliar, and monochromatic is problematic. And so I fiddle with many different iterations in search of the point when the piece is done. I believe that creating “Perito Moreno Glacier” took more time than any other work of mine. The animation shows “only” 14 of the 31 versions I recorded. I printed out drafts at an alarming rate. I gave it a rest for two weeks—twice. But in the end, it was beautiful; it was dramatic; it was done. 

Celebrate December’s Holiday Season with “Grevillea Regalia”